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CUTTACK: Staging of Bollywood nights on Ganakabi Baishnab Pani Manch in Baliyatra trade fair has sparked off a controversy with the cultural fraternity accusing the district administration of moving away from the stated objective of promoting classical and folk dances of the State and country.

The act of the administration has besmirched the name of Ganakabi, who is remembered for his contribution to Odia folk opera culture and founding Giti Natya, they have alleged.

The stage had been erected at the historic fair to provide a platform for local talents and cultural organisations, especially classical and folk dance and music, to perform before public. Over the years, it has been promoting cultural exposure and exchanges among artistes from different parts of the country, with District Council of Culture spearheading the cause.

As Bollywood singers like Daler Mehendi, Sona Mohapatra and KK performed on the stage this year, the cries of shame have grown louder. “The Manch has been reduced to a pop event and the very essence and spirit of Ganakabi Baisnab Pani has been killed,” said an artiste.

Local classical and folk dance troupes said they were deprived of performing on the platform. “Performing on such a prestigious platform is an aspiration of local artistes. Instead of allowing us to perform there, the administration pushed us to perform at Mahanadi Manch, a new stage set up this year,” said Kartik Singh, a Guru.

Denizens of Cuttack have also expressed open displeasure over the move. “Baliyatra is a celebration of Odisha’s past glory, its culture and heritage and its rich maritime traditions. Everything related to it should be promoted but the administration has completely diluted its essence by resorting to crass commercialisation,” said Siddharth Senapati of Arunoday Nagar.

They also raised questions on the expenditure on getting the stars to perform in Baliyatra. “How much money was spent on getting these stars, who would have charged huge fees? The funds generated and the expenditure should be made public, said Rakesh Mohanty, a resident of the city.

Traders, who were forced to become sponsors, too expressed their discontentment over the expenses by the administration towards staging Bollywood nights at Baliyatra trade fair.

“We don’t understand what benefit the district administration got by extracting excess money from us towards sponsorship and spending huge money on pop stars,” said a sponsor on condition of anonymity.You are unlikely to search out Raghurajpur within the ‘10 or twenty must-see destinations in Odisha’ list that may be found on the web.
Which explains why once Ratnakar Rao, a retired banker, was aware by his tourer guide — on his most up-to-date family trip to Odisha — that the cluster would be
making a stop-over at a “handicrafts village”, he wasn't significantly enthused.
The construct of a whole village of handicraft exponents was distinctive,” he says.
Located on the banks of Dhaudia stream, regarding ten kilometres to the north of Puri, Raghurajpur may be a heritage village — a treat for associate degree art-buff and tourer alike.
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A quiet walk round the village would meet your searching necessities — from paintings done on material and coconuts to stone and wood carvings, leaf engravings, social group work and therefore the
like, and you get to shop for them directly from the artists.
What surprises guests is that the earthy, non-commercial approach of the artists; one thing that Aparna Sambhare from urban center discovered on a recent trip.
Their simplicity and humility touches you, and therefore the art too is created from native and property raw materials,” she says.
The use of eco-sustainable merchandise is that the hallmark of Patachitra — a singular kind of painting on material, whose origins date from centuries.
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Unique“Raghurajpur has sustained the traditional Indian art tradition of painting on palm leaves, which might otherwise are lost during this age,” says Shilpa Chheda, professor of Jainism
Patachitra typically consists of 3 layers of cloth conjoint victimisation tamarind paste.
Hair from mice is employed as a brush to use colors that are created victimisation natural substances.
The artists place confidence in the Sanskrit literature, the sacred writing or the Bhagvad religious text because the base text to draw their inspirations from.
Lord avatar is described the foremost in these paintings.
Gotipua belongs to identical faculty of dance because the a lot of notable Odissi (it is performed by young boys UN agency dress up as women).
“There may be a bound rustic charm regarding Odisha that's tough to miss, and therefore the Gotipua expertise in Raghurajpur epitomises this,” says Hindu deity Vaidyalingam, a student of Indian Aesthetics.
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The boys performing arts Gotipua will bend their bodies at can, as if it had been created out of rubber.
It helps that they start coaching at the age of 5.
Unique“Their bodies are supple, their bones soft and versatile at this stage,” explains Jitendra Nayak, a guru within the dance kind, adding, “It becomes tough for the boys to
pull off the acrobatics once the age of fifteen, which is why they go for Odissi afterward purpose.”
It is that this distinctive mix of arts and culture of historical significance that might build Raghurajpur a noteworthy destination on the tourist’s calendar.
Unique“Many ancient art forms are lost, as they're not supported by individuals,” says Chheda, adding, “Apart from paintings, the villagers have contributed to keep associate degree ancient people dance alive too.
Raghurajpur may be a distinctive construct wherever the complete village sustains these art forms.”