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NEW DELHI: It's one thing to talk about developing a sports culture and an entirely different ball game to execute those plans. India, as a nation, is making that effort. But adjust the lens to a state-wise view and Odisha stands apart.
Under the leadership of Chief Minister, Naveen Patnaik, the state's department of Sports and Youth Services has managed to put a sports revolution in motion. But as is the nature of any revolutionary movement, it brings with it it's own set of challenges.

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Of late, more precisely since 2017, Odisha's love affair with hockey has stood out, even as it continued to diversify by hosting major tournaments in other sports as well, like the Asian Athletics Championships. But by becoming the first state to sponsor national hockey teams (men and women) and by hosting the men's World Cup last year, the association reached a different level, not just in terms of organising international hockey events but also developing the state with it, especially the state capital and host city Bhubaneswar.

Earlier this month, when the International Hockey Federation (FIH) decided to award India the 2023 men's World Cup as well, the spotlight was once again on Bhubaneswar. Though Hockey India is yet to decide on the host city, the Odisha capital -- with all the machinery in place at the revamped Kalinga Stadium -- leads that race, which currently has five cities reportedly vying to host.

While the hockey fraternity's opinion on FIH's decision to award India unprecedented back-to-back World Cups remains divided on the basis of sport's global growth, Odisha stands proud that because of their efforts, the state is once again being talked about as the most prepared venue to host another edition of the World Cup.

One of the leading architects of developing that mindset is Vineel Krishna, Director, Sports and Youth Services, Government of Odisha.

An IAS officer, who joined as the state's Sports Director in 2017, Krishna has the additional charge of Managing Director of the Odisha Mining Corporation (OMC) Ltd.

Incidentally, Krishna's association with OMC makes his connection with hockey stronger, as the company (a public sector undertaking) also holds stakes in the Hockey India League (HIL) franchise Kalinga Lancers, besides being the leading state agency to officially sponsor India's men and women national teams until 2022 and the men's World Cup held last year.

Krishna spoke to Timesofindia.com in an interview, where he touched upon a wide range of subjects around Odisha as India's major sports destination.

Excerpts:

When did Odisha first emerge as a serious sporting destination? Odisha has been doing reasonably well for quite some time in sports, especially hockey, athletics and weightlifting. The fastest Indians, both men and women (Dutee Chand and Amiya Mallick), are from Odisha. However, as a sporting destination, our journey started in a dramatic manner.

In 2017, India was to host the Asian Athletics Championships. The host city withdrew three months before the event. The Athletics Federation of India met our Chief Minister, Naveen Patnaik, to request for hosting it in Bhubaneswar. The state government took up the challenge and the CM directed all government agencies to work on priority.

We didn’t have the synthetic tracks or the flood lights, the stadium needed complete renovation. Also, athletics has a lot of logistical requirement. More than 1000 athletes and officials were to participate from 40 countries in 42 events. The infrastructure was created in record time and the event was organised without any hitch. The best part was the response from the crowd. Athletics doesn't normally attract big crowds, but our stadium was full.

It provided the impetus for Odisha to emerge as a sporting destination and in the last two years we have organised numerous national and international events.

Was the government’s interest in staging sports events a planned strategy? While the Asian Athletics Championships was more of a chance, the subsequent events were planned in advance. The word spread about Odisha organising sports events smoothly; therefore, various federations approached us to host events and the state government has enthusiastically supported all the sports initiatives.

Odisha has also hosted the men’s hockey Champions Trophy 2014, Hockey World League Finals 2017, Indian Super League matches, Super Cup 2018-2019, National Open Athletics Championships 2018, Girls U-18 Asia Rugby 7s Championships 2018, men’s Hockey World Cup 2018, AIFF 4-nations Women’s Gold Cup 2019 and the recent FIH Series Finals and Olympic hockey qualifiers this year.

Hosting an international event almost every year takes a lot out of the state's pocket, especially when you (Odisha) are sponsoring the national hockey teams as well. How have you managed to counter the pressure and answered tough questions from those opposing the huge expenditure involved? We have been fortunate to get substantial corporate support for hosting major tournaments and therefore, we haven’t taken a lot of money from the government exchequer. It's not that the government has spent a huge amount of money. It's the corporate (sector) also that has come forward for the same. We really haven’t come across any opposition with regards to Odisha hosting sporting events that get the state a lot of visibility and at the same time promote tourism in the state. Therefore, all the government agencies work together and there are no major challenges. Also, with each such major event, we have a grassroot development programme that helps in creating a formidable sporting ecosystem in the state.

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Khampa room Preserves Tibetan Food and Culture in Queens
A few times a year, Thupten Bachan’s family sets out into the mountains close to their target the Kham region of Asian nation to forage for herbs — principally parsley, coriander and chives — that they’ll bring back, clean and dry for the months to come back.
Mr. Bachan and his fiancée, the chef Tashi Dechen, opened Khampa Kitchen last year in Jackson Heights, Queens, and the packages of dried herbs his family sends serve as the backbone of the kitchen’s dishes.
This tiny pipeline of flavor is associate degree act of preservation — not simply of the fragile greens, however of the recipes that Mr. Bachan and Ms. Dechen learned from relatives, and recreated meticulously {in a|during a|in an exceedingly|in a very} {restaurant|eating house|eating place|building|edifice} meant to sustain their region’s culture on a busy stretch of Roosevelt Avenue. “We {wanted|needed|wished} {to keep|to stay} the food as {traditional|ancient} as {possible|potential|attainable|doable}, {to make|to form|to create} {sure|positive|certain} it’s all {about|concerning|regarding} history and {homemade|homemade |do-it-yourself|home-baked|home-brewed|home-cured|homespun} food,” Mr. Bachan said.
Mr. Bachan’s herbs {are|ar|area unit|square measure} the heavyweights of his menu. They perfume the ground beef inside paoze, the baseball-sized dumplings whose wrappers are made fat and bouncy by baking powder. Each steamer basket arrives with a bowl of {unflavored|unflavoured|nonflavored|nonflavoured|tasteless} split-rice {porridge|dish}, a monochromatic {sea|ocean} of comfort adorned with thinly sliced scallions. The combination is a common breakfast in Tibet, and here, too; the restaurant opens at 10 every morning, and sometimes as early as 9.
That filling — chive-laced beef slick with a broth of its own making — shows up again in the khampa poethek, a centerpiece of a meat pie meant for a celebration. “Poethek is a family dish,” Mr. Bachan said. (His and Ms. Dechen’s families are from Derge, in the Kham region.)
In Kham, he said, “you can’t {find|notice|realize} Poethek {anywhere|anyplace} except your home. And {when|once} the family gets {together|along}, {you make|you create} it and share and {talk|speak} and sing.” Ms. Dechen meticulously crimps her poethek’s edges into a braidlike roll, and slices off the top just before serving, setting aside the mountain’s peak to reveal its heart.
Meat is king here, and variable. You can swap in chicken, pork or vegetables to your {liking|feeling}, {but|however} beef {is the|is that the} {closest|nearest|nighest} substitute for the yak meat {that would|that might|that may|that will} be {inside|within} your paoze, poethek and momos soups if you were in Tibet. (Yak butter would show up in your salty, warming butter tea {instead of|rather than} {the standard|the quality} cow butter used here.)
In the restaurant’s soups, bones {are|ar|area unit|square measure} {just as|even as} {important|necessary|vital} as flesh. Ms. Dechen simmers beef bones in water {for 24|for twenty-four} hours, {until|till} the {resulting|ensuing} broth is thick and {almost|virtually|nearly} {milky|milklike|whitish|opaque}, a base for the menu’s {many|several} soups. The stunner is the dumpling soup, in which a sauce of sesame oil, soy sauce and housemade hot sauce is topped with beefy momos, broth and bok choy. The layering {allows|permits} you to {first|1st|initial} {taste|style} the broth on its own, before mixing from the bottom to fortify it with spice and heft. The momos, {prepared|ready} {in a|during a|in an exceedingly|in a very} {pressure cooker|autoclave|sterilizer|steriliser}, {are|ar|area unit|square measure} as fork-tender as {gnocchi|dumpling|dumplings}.
Each table holds {two|2} hot sauces: one is fiery orange, {made from|made up of|made of} reconstituted dried chiles sent from Tibet; {the other|the opposite} {is a|may be a|could be a} thick, dark chile oil, made tingly by Sichuan peppercorns. Kham once {spread|unfold} into {parts|elements|components} of the {sichuan|Szechwan|Sichuan|Szechuan|Szechwan province|state|province} province of China, {and that|which} region’s influence {appears|seems} throughout the menu: on a rub for twice-cooked beef ribs, smoky and tender, and {in the|within the} sauce for liang fen, whose bean jelly Ms. Dechen makes from scratch.
Mr. Bachan and Ms. Dechen {are|ar|area unit|square measure} {involved|concerned} {in the|within the} {local|native} Kham community; once or {twice|doubly|double} a year, they get together to sing songs, wear traditional Derge clothing, and dance, in part to pass on traditions to the youngest. At the front of the {restaurant|eating house|eating place|building|edifice} {is a|may be a|could be a} {small|tiny|little} {storefront|shopfront|front} {full of|filled with|jam-packed with|choked with|packed with} Tibetan antiques, jewelry and precious stones, things that Mr. Bachan loves finding and {knows|is aware of} his neighbors like {wearing|sporting|carrying}.
In the dining room, a TV perched high on one of the walls is constantly playing a YouTube stream of traditional song and dance. Tables {full of|filled with|jam-packed with|choked with|packed with} {robed|appareled|attired|dressed|garbed|garmented|habilimented|clothed |clad} monks {usually|typically|sometimes} sit below, lingering over bowls of noodle soup.
“Each {and every|and each} day, I miss my home food,” Mr. Bachan said. “So with {every|each} dish, we wanted people like us to find it joyful. And it reminds them that keeping our culture {is very|is extremely|is incredibly} {important|necessary|vital}.”

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CUTTACK: Staging of Bollywood nights on Ganakabi Baishnab Pani Manch in Baliyatra trade fair has sparked off a controversy with the cultural fraternity accusing the district administration of moving away from the stated objective of promoting classical and folk dances of the State and country.

The act of the administration has besmirched the name of Ganakabi, who is remembered for his contribution to Odia folk opera culture and founding Giti Natya, they have alleged.

The stage had been erected at the historic fair to provide a platform for local talents and cultural organisations, especially classical and folk dance and music, to perform before public. Over the years, it has been promoting cultural exposure and exchanges among artistes from different parts of the country, with District Council of Culture spearheading the cause.

As Bollywood singers like Daler Mehendi, Sona Mohapatra and KK performed on the stage this year, the cries of shame have grown louder. “The Manch has been reduced to a pop event and the very essence and spirit of Ganakabi Baisnab Pani has been killed,” said an artiste.

Local classical and folk dance troupes said they were deprived of performing on the platform. “Performing on such a prestigious platform is an aspiration of local artistes. Instead of allowing us to perform there, the administration pushed us to perform at Mahanadi Manch, a new stage set up this year,” said Kartik Singh, a Guru.

Denizens of Cuttack have also expressed open displeasure over the move. “Baliyatra is a celebration of Odisha’s past glory, its culture and heritage and its rich maritime traditions. Everything related to it should be promoted but the administration has completely diluted its essence by resorting to crass commercialisation,” said Siddharth Senapati of Arunoday Nagar.

They also raised questions on the expenditure on getting the stars to perform in Baliyatra. “How much money was spent on getting these stars, who would have charged huge fees? The funds generated and the expenditure should be made public, said Rakesh Mohanty, a resident of the city.

Traders, who were forced to become sponsors, too expressed their discontentment over the expenses by the administration towards staging Bollywood nights at Baliyatra trade fair.

“We don’t understand what benefit the district administration got by extracting excess money from us towards sponsorship and spending huge money on pop stars,” said a sponsor on condition of anonymity.You are unlikely to search out Raghurajpur within the ‘10 or twenty must-see destinations in Odisha’ list that may be found on the web.
Which explains why once Ratnakar Rao, a retired banker, was aware by his tourer guide — on his most up-to-date family trip to Odisha — that the cluster would be
making a stop-over at a “handicrafts village”, he wasn't significantly enthused.
The construct of a whole village of handicraft exponents was distinctive,” he says.
Located on the banks of Dhaudia stream, regarding ten kilometres to the north of Puri, Raghurajpur may be a heritage village — a treat for associate degree art-buff and tourer alike.
Compare
A quiet walk round the village would meet your searching necessities — from paintings done on material and coconuts to stone and wood carvings, leaf engravings, social group work and therefore the
like, and you get to shop for them directly from the artists.
What surprises guests is that the earthy, non-commercial approach of the artists; one thing that Aparna Sambhare from urban center discovered on a recent trip.
Their simplicity and humility touches you, and therefore the art too is created from native and property raw materials,” she says.
The use of eco-sustainable merchandise is that the hallmark of Patachitra — a singular kind of painting on material, whose origins date from centuries.
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Unique“Raghurajpur has sustained the traditional Indian art tradition of painting on palm leaves, which might otherwise are lost during this age,” says Shilpa Chheda, professor of Jainism
Patachitra typically consists of 3 layers of cloth conjoint victimisation tamarind paste.
Hair from mice is employed as a brush to use colors that are created victimisation natural substances.
The artists place confidence in the Sanskrit literature, the sacred writing or the Bhagvad religious text because the base text to draw their inspirations from.
Lord avatar is described the foremost in these paintings.
Gotipua belongs to identical faculty of dance because the a lot of notable Odissi (it is performed by young boys UN agency dress up as women).
“There may be a bound rustic charm regarding Odisha that's tough to miss, and therefore the Gotipua expertise in Raghurajpur epitomises this,” says Hindu deity Vaidyalingam, a student of Indian Aesthetics.
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The boys performing arts Gotipua will bend their bodies at can, as if it had been created out of rubber.
It helps that they start coaching at the age of 5.
Unique“Their bodies are supple, their bones soft and versatile at this stage,” explains Jitendra Nayak, a guru within the dance kind, adding, “It becomes tough for the boys to
pull off the acrobatics once the age of fifteen, which is why they go for Odissi afterward purpose.”
It is that this distinctive mix of arts and culture of historical significance that might build Raghurajpur a noteworthy destination on the tourist’s calendar.
Unique“Many ancient art forms are lost, as they're not supported by individuals,” says Chheda, adding, “Apart from paintings, the villagers have contributed to keep associate degree ancient people dance alive too.
Raghurajpur may be a distinctive construct wherever the complete village sustains these art forms.”

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Indian culture in Shrewsbury and Westborough expands
At the multiplex on Route nine in Westborough, it’s a rare day once a screenland flick, in Hindi with English subtitles, isn’t taking part in. The concession stand serves samosas and chai aboard tubs of popcorn.

A few miles west in Shrewsbury, Patel Brothers is thus fashionable that house owners of the Indian foodstuff had to maneuver one in every of its entrances farther from Route nine.

And this summer, Shrewsbury had its 1st full cricket season, on a brand new pitch engineered on city land with personal donations. such a large amount of youngsters signed up for a summer clinic that some had to be turned away.

More than five,000 Indian Americans have settled within the neighboring cities, forming one in every of the most important Indian populations within the state, and reworking the world into a pin of Indian culture and commerce.

“So several tiny businesses are stoning up, particularly Patel Brothers,’’ aforementioned Rithika Kulathila, a college man at the University of Massachusetts state capital World Health Organization lives in Shrewsbury. “Whenever you see a Patel Brothers, you recognize there’s heaps of South Asians.’’

The India Society of Worcester, created in 1963 to assist avoid nostalgia for college students living in a section then empty their Indian culture, has engineered an oversized center in Shrewsbury and currently has over one,000 members, as well as many that were born within the us.

Dr. Sahdev Passey, a former India Society president, came to the world in 1973 as a resident at the now-closed Worcester town Hospital.

“There was no Indian edifice,’’ Passey aforementioned. “There was nothing you'll get or neutralize the Worcester space that was associated with India.’’

And yet, several of the young doctors were Indian, he said. as a result of Worcester town Hospital and St. Vincent Hospital, conjointly in Worcester, weren't university hospitals, Passey aforementioned, few yank doctors applied for residencies there. Of the thirty spots out there for interns and residents the year he arrived, Passey aforementioned, over ninety p.c were stuffed with international grad school graduates, and most were from India.

Like Passey and his peers, several Indians touched to the cities close to Worcester within the Sixties and ’70s for jobs in medication and teaching. The technical school boom brought additional Indian immigrants within the Nineteen Eighties. several Indian families settled in Shrewsbury for its proximity to Route 128 and its colleges.

And the growth has continued . Between 2000 and 2010, the quantity of Indians broad enlarged by seventy six p.c, per the US Census; Westborough’s Indian population rose 192 p.c and Shrewsbury’s 173 percent.

Shrewsbury, with 3,137 Indians, or nearly nine p.c of its population, ranks third within the state, when state capital and Cambridge. Westborough ranks seventh within the state, with 2,160 Indians, or nearly twelve p.c of its population. (These numbers embrace solely Indian Americans World Health Organization report one quality.)

“They’re attracted for heaps of the explanations that others are drawn to this region,’’ aforementioned Paul Watanabe, director of the Institute for Asian yank Studies at UMass state capital. “High tech, universities, biomedicine — all of these things are factors in attracting folks from these populations.’’

Indian businesses began to originate, as well as a salon for ladies. Restaurateurs World Health Organization had with success opened one Indian edifice are gap others, Passey aforementioned.

A few years past, Saqib Syed and Fazal Alam, Shrewsbury residents and former cricket players, needed to introduce native Indian youngsters to a game several had solely seen on tv. They talked to city officers, World Health Organization united they might use a city softball field.

But the sector wasn’t the correct size for cricket, that is analogous to baseball, however contend on an oblong, 22-yard-long pitch. Syed raised cash to make a correct pitch, and this year the sector had its 1st full season.

More Indian restaurants have opened within the space over the previous couple of years, as well as Khatta Mitha and Ming dynasty III, side-by-side Westborough restaurants serving totally different types of Indian food that opened by constant family in 2010, and Mayuri Indian cookery, that opened this spring in Westborough.

Sailaja Maddali opened her takeout edifice, Mommy’s Home room, in Shrewsbury in August 2010. She had 1st started a business service in her home that was thus fashionable she and her husband began searching for retail house. currently she will a gentle business from a room on Route nine, beside Tacos metropolis.

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Parallel to monumental publications such as Anandmath and Hind Swaraj that emerged during the Indian freedom movement, there developed another kind of literature – children’s journals. These journals were started as a new enterprise in publishing – with the printing press coming into prominence – to carve out a national identity for children, future citizens of the nascent nation. That there was power in children’s literature was evident in how Iqbal’s song for children, “Saare Jahaan Se Achha” became a popular nationalist song against the British rule.

In the early 1900s, Hindi was gaining acceptance as the vehicle for cultural self-assertion in the nationalist discourse – especially in north India. The concept of rashtra bhasa (national language) – a Hindi public sphere – was used to rally the masses. South Asian literatures scholar Francesca Orsini explains this as the common language for everyone – Bhartendu’s nij bhasa – “which is at one time of the individual and of the community…that should acquire the seal of recognition by becoming the language of the state (rajbhasa) and of the nation (rastrabhasa)…”

Thus, the nationalist project of the 1920s and 1930s used Hindi children’s periodicals to expand the locus of “home” from the immediate location of birth to the national space, allowing Hindi pedagogues to mediate their nationalism for children.

It was in this milieu that Hindi children’s journals, such as Balak, Balsakha, Kanya Manorajan, Vidyarthi, Kumari Darpan, Shishu, and Khilauna, gained prominence as national journals – instilling nationalist morals and patriotism, opining on what constitutes an ideal future-citizen for India.

Modern India historian Gyan Prakash points to the assumption prevalent among many Hindu nationalists of the time that the “infant nation” needed to be endowed with literature, history, culture and science. This was clearly reflected in the content of these children’s journals, which ranged across: (i) prayers; (ii) rhymes, lullabies and poetry; (iii) short stories, fairy tales and serialised novels; (iv) moral essays, biographies and scientific articles on geography, botany, biology, astrology, music and domestic science; (v) riddles; and (vi) editorial. A look at the tenor of content sheds light on how belongingness was inculcated.

Prof Shobna Nijhawan, in “Hindi Children’s Journals and the Nationalist Discourse (1910-1930)”, gives the example of Kumari Darpan (Mirror of the Maiden), first published in Allahabad in 1916. How a feeling of national belonging was camouflaged in “factual knowledge”. In the article “Brahmand aur Saur Jagat (The Cosmos and the Solar System)”, the writer talks about the wonders of the universe, with the additional line: “How often would you have wished to hear stories about all these things?...This is why I will tell you this story in your own language.”

In the second part of the article, “Bhugol ki Kahani (The Story of Geography)”, the child is taught about her origins:

“Where is the country in which we people live? In which part of the world is it located?... Our country, Hindustan, which is also called Hind, Bharatkhand or Bharatvarsh or simply Bharat, is located in South Asia. Asia is the home of many people who populate the land from Asia to Europe. These people are of Aryan origin. Before learning more about the Asian people, we should take a closer look at our country.”

Linking the Aryans of the Indian subcontinent to Europe, she says, “The inhabitants of Europe are for the most part the offspring of the Aryans who travelled West.” Conspicuous in her narrative is use of race, ethnicity and territoriality as the central denominators of the nation. She also informs her readers of the achievements of the Indus Valley Civilisation to impress upon them the idea that because India was an ancient civilisation, Indian Aryans belonged to the “leading race” of the world.

Nationalism, thus, functioned as the glue that packed together the prayers, poems, stories and scientific essays of such journals.

So popular were these journals that, according to scholar Nandini Chandra, the circulation of monthly magazines like Balak and Balsakha ranged between 3,500 and 5,000 – comparable to popular adult literary magazines Sarasvati and Madhuri, whose figures were 3,000 and 6,000, respectively, for the year 1924. In “The Pedagogic Imperative of Travel Writing in the Hindi World: Children’s Periodicals (1920–1950)”, she also adds that “for girls, many of whom did not attend formal schools like their brothers, these periodicals really did constitute alternate schooling”.

Interestingly, initially these journals hesitated from making direct attacks at the discriminatory policies of the colonial administration till the mid-1910s. This changed with the advent of Mahatma Gandhi in mainstream Indian political struggle. The following passage from Swarup Kumari Nehru’s 1917 article “Deshbhakti (Patriotism)” in Kumari Darpan, tellingly illustrates the changing face of the Hindi literary sphere:

“Patriotism is to be practised with the body, the mind, and one’s possessions…Whether the person is old, young, or a child, rich or poor, it is the dharma of every person to serve the country. Whosoever wants to practise true devotion should first make the effort to wear svadeshi clothes, eat svadeshi food and advise friends to do the same.”

Such exhortations continued to gain strength as the nationalist campaign gained further momentum in the 1920s. Khilauna (Game), a children’s journal first published in 1927, was markedly different in format from its predecessors. This published poem shows the militant nationalist tone adopted by children’s journals in the coming decades:

Ham vir hain, valvir hain, randhir hain, balvanMar janyage, kat janyage, ho janyage, balidanMarenge ham, tyagenge ham, chorenge ham, dhanpran Nij des hit, nij dharm hit, nij jati hit, abhiman

We are heroes, rebels, brave and powerfulWe will be wounded, die in battle and be sacrificedWe will dedicate our lives, leave behind all wealth and abandon everythingFor the welfare of our own country, our own belief, our own people and pride